Kevin Feige’s rampant failings on the small screen side of Marvel run the risk of turning him into the arch-nemesis who wanted him fired

We should point out that none of us are in a position to tell arguably the single most powerful and unquestionably most successful producer in Hollywood history how to do his job, but Kevin Feige‘s struggles with the small screen side of Marvel have been laid bare and then some.

Deciding to and that day of reckoning may have come.

Daredevil: Born Again booting its key creatives shortly after the similarly-troubled Secret Invasion was trashed by critics and blasted by audiences, which itself came after She-Hulk: Attorney at Law was heavily reworked in post-production, has outlined the difficulties in plowing ahead under the assumption that a formula proven to be successful to a history-making degree on the big screen simply doesn’t work episodically, and trying to prove otherwise simply isn’t happening.

Not only that, but ignoring the established status quo and upsetting the balance to focus on the “my way or the highway” approach at the expense of quality content gives off ominous shades of who flat-out wanted him fired. Of course, the company’s current chief creative officer ended up winning that battle, and made it one of his first orders of business upon assuming the top job to shutter Marvel Television and absorb it into the MCU proper.